Patrick stump who is he

Spider-Man is one of my favorite things. So I wanted to kind of pay homage to all of the different versions of Spidey music. Obviously you have the 60s, theme which is the most iconic one, but I also wanted to kind of weave in elements of the [Danny] Elfman score from the [Sam] Raimi movies and the Michael Giacchino score and elements of the 90s show that have kind of a more metal theme.

I kind of wanted to play up all of them, and there was the original Spider-Man and His Amazing Friends , if you remember that one. I wanted to put all those things in a blender in this hyper-caffeinated two-minute explosion of Spidey. I'm like, "If you're four years old and this is the first time you're experiencing Spidey, I want you to get your money's worth. I was going to ask about that. My wife is expecting our first child and —. Oh, thank you. So that must be kind of cool as well as you're thinking, this is what these kids are going to think Spider-Man is before they go onto the other stuff.

You get to introduce them to it. I'm like, "I don't know, how am I going to navigate that? So worst case scenario, you spent a good couple of hours writing something you enjoy.

I'm curious about the score as well, because it sounds like scoring an animated Spider-Man cartoon would just be a blast and I think this is your first time scoring a full season of television?

In television, I really haven't done anything yet. I've mainly just been doing indie films and I did do a couple things that ended up on television, but it's not the same thing. So I wasn't really prepared for that. I know how this goes. I've done it, I'm an old salt at this point. There's so much to the show, and they're not playing around either. I was actually really pleased and impressed with how much they care about the music, but it's also like, "Oh no, we're really going for it.

I'm pretty deep in it right now. I'm always amazed at composers who have the capacity to do that, because that's such a massive volume of music you have to create. There are themes and things that recur, but the show isn't set up to really just reuse a ton of stuff.

It's not that kind of thing. So I really am having to come up with stuff for most episodes, and it's a ton of work but it's great. It's always such a challenge — it's such a not-cynical show, you know? And I think it's really easy to be very cynical, so having a reason to find that every day is pretty great. I did want to ask about your other scoring work. One of the things I really love about Fall Out Boy is that each album sounds different from the last.

It feels like a progression or like you guys evolve with each outing. And I was curious, as you got into composing where each job may be wildly different than the last one you just did, did you find that kind of sonic diversity and the music that you had been writing for Fall Out Boy helpful in making that transition? Fall Out Boy primed me for it really well. It's actually like a perfect fit. For starters, I think I was already kind of interpreting somebody else's story.

For people who don't know, I don't write the lyrics in the band, but I write the majority of the music, which is kind of weird. Usually that's not the singer, usually that's some background guy that does that. But it's the opposite in our band. So I've always been interpreting Pete's lyrics and kind of putting that to music.

So then for scoring, the fact that I'm helping somebody else tell a story, that feels really comfortable to me. And then in terms of different kinds of music — I was thinking the other day about how big an influence somebody like Elvis Costello was to me, just because he was willing to try things.

He's got the Burt Bacharach record and he's got the Brodsky Quartet record. He would try these things with different artists and different bands and different music, and he's name dropping A Tribe Called Quest and the Beastie Boys and stuff. The fact that a lot of my heroes were really open to a lot of different kinds of music really helped me.

In the show for example, like Aunt May puts on bossa nova for a minute and I'm lucky that I have a somewhat decent awareness of bossa nova music. Just from that kind of stuff. Scoring's really perfect if you're that kind of nerd, where you have a reserve of references for all kinds of music. The tour began on April 3, in Chicago and ended on April 15 in California. It was his first tour as a solo artist. Shows were also scheduled in London 2 dates ; Paris and Cologne. He performed in a sleek black tuxedo, white moon boots and fingerless leather gloves, and on some songs he played the electric guitar.

His setlist varied from show to show, and premiered new songs "Explode", "Allie", "Cryptozoology" and "Everybody Wants Somebody" which turned out to be Soul Punk tracks. He played songs from Truant Wave as well as "Spotlight New Regrets " which he previously released as a 7" vinyl.

He began his second US tour first full-length headline tour August 3, As part of his US tour he played Lollapalooza in Chicago. He announced a month-long US fall tour in support of Panic! After the tour, he headlined the Metro in Chicago. He has been a guest at many radio shows. In a blog post in February after disappearing from the internet, Stump mentioned that he would halt performing. On May 20, he returned to blog and offer an explanation of his lack of updates and his music career.

Confirming by saying: "I won't ever quit music, I just may not release some of my own for a little bit" and that he may tour to support Soul Punk in the future. He says that in the last 6 months of going silent he has taken acting classes and co-written and collaborated with other musicians. On November 30, when asked if another solo album would be made, Stump responded, "There's hope but it will be a minute.

Stump married his longtime girlfriend, Elisa Yao , in They live in Chicago together. In March Stump sang 'Let's Get It On', originally by Marvin Gaye, as the first dance at his step-brother's, from his father's second marriage, wedding. Chat show host Ellen DeGeneres. Stump lost 65 pounds when Fall Out Boy went on hiatus, due in part to growing health issues, including asthma and pre-diabetes, with which he was diagnosed.

He suffered from high cholesterol and high blood pressure as well. While being honored as the distinguished alumnus at graduation ceremony for Glenbrook South High School, from which he graduated in , it was revealed Stump's wife was pregnant with their second child.

In December of , Antero Stump was born. When he joined Fall Out Boy, Stump had neither sung for a band before nor had singing lessons. He formed the band with Joe Trohman and Pete Wentz, both of whom were active in Chicago's hardcore scene. The son of a folk singer, Stump was originally a drummer for a few local suburban Chicago bands, one of which being a band named Public Display of Infection, which he was in in his early teen age years.

Upon the formation of Fall Out Boy, though, he took up not only lead vocal duties but was also forced to learn guitar when an early guitar player quit days before their first tour. Sign In. Edit Patrick Stump. Showing all 24 items. Changed his surname to Stump from Stumph as not to confuse people with the pronunciation. Has an older brother named Kevin who is an accomplished violinist. I think you can totally be a totally normal kid from the suburbs of Chicago and go off and play shows.

It's one of those things that when you go home, you're still the nerd you were when you left, and your parents still get to yell at you about cleaning up your room, and your girlfriend still drags you to the pet store.