Can i become a pianist

Becoming a significant pianist in a more demanding field such as jazz is both similar and different. Another way to become a professional pianist is by becoming a studio musician. A musical education is helpful here as well, and you will need to be a very reliable performer with a high level of skill on the instrument. For either of these jobs, you will probably also have to do a lot of networking to make the right contacts.

Time at the piano should always remain a moment of joy, fun, and excitement. When love will be there, we will also find the motivation, time, and focus on growing as musicians.

It is a generally known fact, proven by science, that children learn faster than adults. Because of their rapidly developing brains and especially thanks to the process called exuberant synaptogenesis, which is a rapid formation of synapses between neurons in the nervous system, kids can learn new skills faster than adults. Regarding the optimal age, science is clear, the quicker you can get involved in music, the better. Many professional musicians of today but also iconic composers of the past, such as Mozart, started to play the piano as early as three years old.

Since you are reading this article, your critical years are probably long gone : , but this should not discourage you from starting. Even though kids can learn faster, youth and adults can learn just fine.

Besides fulfilling your dream of learning how to play the piano, the process of learning brings many benefits such as stress-relief, improvement of cognitive functions, creativity, discipline, patience, etc. In the realm of music, it is considered very late if you start in the teenage years, although there are few examples of concert pianists that started at the age of 17 — 20, which is considered to be extremely late. While the statistics might not be in your favor, there is always an exception to the rule.

Throughout history, we can find many people who accomplished things once thought impossible, so if you have the desire and willingness to become great, there is nothing stopping you.

Having a good teacher is, without a doubt, important, as it can greatly influence how quickly you will grow musically and how far you can get. For a beginner world of piano and music can be overwhelming. Music theory, proper technique, articulation, rhythm, etc. A teacher can help you navigate through the learning process and answer many of the questions that you will have along the way.

A good teacher should also be your coach, recognizing your strengths and weaknesses, while also helping you to develop your own unique voice on the instrument. As a beginner, a good local teacher can meet your needs for many years to come. If you eventually decide to take the professional path, you will very likely need an elite teacher. Alberti bass and melody?

Doing different things with each hand - it's really hard. This is clearly very important. For many it's the difference between playing with emotion and playing without. Look at this guy - so much emotion. That's right, get out of the practice room and onto Instagram. Ever noticed how so many top pianists are amazing at social media? Clearly a good Klout score on Twitter is as mandatory as learning all those Clementi sonatas.

Booking your own concerts is not as hard as it may seem, although it can be a time-consuming task. One of the best ways to get booked is to have a compelling recital program. A good way to do this is to study other concert pianists and to see what they are playing in your area. Try to curate a program based on what the audiences are drawn to hearing. Add this repertoire to your list, film a promotional video and have that ready to send via email.

This can be done either through email, letter or by making phone calls. Without artist representation you can expect to get turned down by the majority of the larger venues more on this later , however, you can build a resume through smaller options. This includes church concert series, music festivals, and private recitals. These opportunities are just as important, and they will help build significant performance experience and credibility. Create a professional press kit that lists all of your accomplishments, has professional photos, and other useful information.

When promoters have this information ready to go, they are more likely to move forward with a booking. This helps drive additional income to you and also helps with spreading your name to the public. Other materials you may want to offer are signed photographs and concert memorabilia. Some promoters will pay the artist an upfront fee and collect ticket sales on the backend.

Other cases involve the artist collecting a percentage of those sales as well. That typically means the artist is paying some sort of venue fee to rent the recital hall, have access to the piano and a stage manager.

The money is then recouped through those ticket sales, so I only suggest this if you think you can fill seats! In this case, the venue is offered for free and the artist performs and collects donations. Other fees that can be negotiated include travel and hotel accommodations.

Smaller venues will simply not have the budget for this, so expect to come out of pocket for this expense. Share your concert dates on social media and also post it to your website.

Something as simple as sharing a post on Facebook can draw significant attention to your show. The best ways to fill small concert halls especially is through word of mouth, not just paid ads. Keeping your profiles up to date also makes you look active as a concert artist no matter what stage of the process you are currently in. Exceptional classical pianists will someday want to acquire artist representation.

This can be a full management team or just a personal agent. With a management team, you have someone who can take care of everything you need. This includes booking your concerts, negotiating fees, making phone calls, responding to urgent messages and much more.

You as the concert pianist will only need to worry about practicing and preparing yourself for whatever performances arise. The other benefit of having artist representation is that it gets your foot in the door with concert venues. Artist management can be obtained a number of ways, but the services can be expensive.

Entering an international competition is almost a must if you want to make it as a concert pianist. Pianists prepare for years and the field of entrants is always very skilled. Most competitions have multiple rounds, masterclasses and other networking opportunities worked into the model.